Anything goes: now the financial system secrets will be rocked


As we all are seen, transparency is not the only effect that the leaks have had until now. Much the opposite who felt affected by it fought back with every single available weapon. Assange is only still alive because he is savvy enough to have established an insurance policy with much more heavy duty information. For instance the hint (the real threat of revealing Bank of America’s and other financial institutions real state-of-affairs) is not an empty threat but something that will come along… perhaps bit by bit but is in the making.

The truth of the matter is there is not a single government on the face of the planet that is not dirty and smeared with plenty of sh*t under their shoes and sometimes in their faces. Zapatero (Spain Prime Minister) in spite of his “independent and transparent” discourse has offered a gigantic military base for military operations to the U.S.A. to control North Africa from Spain; Lula brave’s anti-imperialist discourse “went to Washington for Bush’s blessing before taking office”; Berlusconi… well, why bother with him?

Governments are dirty by essence and cannot be another way. The oligarchies and the politicians are the real patriots, they love the countries in which they are powerful, above the laws (although not publicly) and hold the economic fictitious system. The middle class is oblivious to the real world we live in. The lower classes have a better sense of the real world given the dispossession of basics make real consciousnesses arise.

Financial System

Nevertheless, it is from the illustrated ranges of the middle class where the leaks and the hackers come from and with the rage which only the youth have they are shouting from the depth of the Internet world: “we are up to you and we are going to get you”. Can the U.S. or anyone as a matter of fact win the battle against an army of well educated, tech-savvy and the majority digital natives? I doubt it. As I have said some days ago, the depression started with smart asses and it is just beginning, not ending. The leaks and the tremendous outrages the government counter-actions have taken are provoking the unthinkable: hackers are up with their tools to bring down the banking system, the credit card companies and Internet fortunes that are willing to obey the central intelligence services (because they already belong to the oligarchy themselves) and try to shut the leaks out of the map. These realities are here to stay: leaks shall leaks, liars shall try to shut down the leaks (present and futures) and hackers (middle class upper echelon, never too much to remark) are going to fight back, from anywhere to everywhere.

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Spanish Minister for (in) Culture, Mozart and Copyright


It’s really amazing to see the quantity of stupidity, arrogance inherent to power can produce in the world. Well, considering that we are all with a fresh memory from the Bush’s era, nothing is absurd anymore and even “leftists” brag their wisdom to the world as if we were all followers, ignorant followers of the leadership.

Last week, the Minister of (in) Culture of Spain, responsible to guard, protect and improve more than 1,000 years of human kind culture stored in the country (to say the least) has declared publicly to the RTVE (State Radio and Broadcasting Corporation) according to the report of the prominent newspaper EL PAIS that Mozart “has lived in financial misery because he didn’t receive copyright’s royalties” and if he had had them, he and his family would have had a better life”. Ms. González-Sinde’s (in) culture is notorious in Spain and wherever she has stepped in to spread her wisdom”. Nevertheless, she has at her disposal advisers to avoid her gaffes.

Mozart wasn’t ever poor. That we all (except her, maybe) know. But yet, he was the precursor of copyright infringement. The article of the respectful and cultivated journalist and commentator Enric González helps us to bring the real facts to light.

Mozart poor home

Mozart's poor birth home

The obsession to defend copyright and repression at any rate the (in) culture Minister has made her oversee the fact that Mozart “pirated” Miserere Dei, Deus from Gregorio Allegri.

In short, the situation was that music piece was only interpreted inside the Vatican and the music’s scores remained property of the Pope and with only two copies more: one in the hands of the King of Portugal and the other with a Franciscan Priest (musician). Sadly enough, a nasty, non-law-abiding 14 year old kid named Wolfgang Amadeus Mozart visited the Vatican in 1770 and listened to the oeuvre d’art. His brains functioned with 64 bits processing capacity and back home, he wrote the music scores. A few days later, he returned to the Vatican, listened once again and made the necessary corrections.

Mozart Illegal Downloader

Mozart Nasty Kid

That was copyright infringement Ms. Minister of (in) Culture of Spain. What would you do with that nasty kid if you had the power to do anything at all? Jail him? Order lobotomy? What a great benefit to humanity you would have caused preserving the right, the divine right to preserve that work only for Your Holiness’s ears!!!! Shame on you! Jail the Spanish kids, censor, and cut the country back to the times of dial-up connections as you also already defended. You are the culture; you are the progress of sciences and knowledge for humanity.

“Do what I say but do not do what I do”. That seems to be the conclusion to end up with once we learn that she, her assistants or whoever in the Ministry has copied almost word by word her own biography from from Wikipedia without mentioning it (neither the authors of the wiki). Again: shame on you! And again, do the country a favour: step down!

Certainly there are brilliant kids out there who you call criminals and many of them will make and be part of history, while you will remain a mediocre screenwriter and if lucky something like Antonio Salieri (the envious bloodsucker from “Amadeus”, the film, not reality, pay attention to that once more!!!): but yet portrayed as a vicious, poisonous person defending the industry not the artists.